Welcome to our new playlist composed by our excellent V.! Today she will bring you into the deep deep house with oriental influences. Bring yourself into a relaxing beat flow and enjoy!
If we talk about the Roadburn, there is soooo much to say. The venue, the entire line up, the concept, and also, the food, the facilities and the Netherlands in general… I have heard a girl saying that Friday ticket were completely sold out and is not difficult to imagine that also the other days had the same result, considering the amount of people everywhere, from the Hall of Fame/Koepelhal to the bar street next to Cul de Sac and the 013 buildings. The weather helped a lot (we had 30° on Thursday, and 4 sunny days in a row, something quite special here) and I am pretty much sure that the profit largely increased due to the raise of the sold drinks .
But we are not here to discuss about the profit of the organization, are we? In fact, now that is over, let just go through the music we discovered there, keeping it in our Spotify account to listen during difficult times. For who was not there, a nice playlist was made by the curator of the festival, but in this post I would like to give the selection of the bands I mostly liked during these four days: one band per day.
P.s. headliners are intentionally left out.
Thursday | Ex Eye
Photo by Niels Vinck
It is quite difficult to define the genre of this band, and their music is difficult to approach as well, I must say. Not because the listeners expecially in the Roadburn are not open minded – is actually the opposite – but because the mind cannot relate this sound to any other sonority already released. The specialty of this project has fascinated many in the super-crowded public of the Green Room (the smallest stage of 013).
Friday | Minami Deutsch
Photo by Susana Martins
I came back to the Green Room the day after to have a look of the Psychedelic Japanese rock band Minami Deutsch. They were quite shy to talk to the public, however their music was catchy and cathartic and obtained a quite positive result.
Saturday | Greenmachine
Photo by Paul Verhagen
For the special occasion of the Roaburn festival the grindcore-punk band Greenmachine decided to bring their album D.A.M.N. on the stage. However, after a brief announcement (something like “Now D.A.M.N is finished. Stop.”) they brought to long distance fans something to dream about.
Sunday | Wrekmeister Harmonies
Photo by Paul Verhagen
I love the atmosphere of Wrekmeister Harmonies. The use of the instrument, combined with the thoughtful lyrics and the disturbing videos projected on the wall while they play, made their performance something unique and impressive. It is a pity that they were put as opening band of the day in the Patronaat.
She is catchy – her music, her clothes, her way to interact with the camera – and creepy. She is the daughter of technology, an intricate algorithm made with synthesizers and vocoders. She doesn’t exist except in Facebook and Youtube. Everyone is her friends if it will like her or follow her. Welcome to the new LA phenomenon: Poppy.
Moriah Rose Pereira, aka Poppy, moved to L.A. to pursue her dream of being an actress/singer. There she met the producer Titanic Sinclair, with she started to publish abstract short videos on Youtube. In 2015 she released her first full length called Everybody Wants to Be Poppy, but after an increased interest on her channel (that started to be uploaded regularly from October of the last year) Poppy recorded her most listened album: Poppy.Computer.
It is definitely a new underground pop icon. The entire package is amazing and artistically ingenious. Outside Youtube, Poppy appears in TV shows playing the character she built between the waves of Internet. Her look is between the good girl and a Warhol masterpiece. A new Lady Gaga still not ruined by the music business.
What about the music? Poppy doesn’t bring anything new to the table, she uses the same beats, sounds and rhythms that are popular, or were popular some years ago. Music is not really what we should take in consideration about her, but the movies.
In her Youtube channel Poppy basically talks non-sense, quoting topics as Facebook, Iphone, dogs, cults, … there is no general connection between the videos, except the fact that have no sense. The background of the ambient music should make, together with the pastel colors of the scene, a sense of peace, but it seems we are more in front of a David Lynch‘s work then a nice young vlogger channel.
At this time Poppy is touring with her new album and is gaining fame on TV, but she still keeps her weird aura. Except this, is the proof that also in pop music we can still have creativity and originality, even if without billions behind. It just needs a cool idea.
During the last edition of the Doom Over Lepzig I had the pleasure to interview an interesting ambient project from the US. I had a nice chat with Rob Fisk and Andee Connors in a cloudy and cold afternoon, in a bar not so far from the UT Connewitz in which the festival was going on, and I had the chance to discover more about this collective, the ideas of the musicians about music and society and how much they are entangled together.
In the description of your Facebook page is written that you are “the opposite of Trump administration”. I found it quite funny since the project has some time right now and Trump is not so long at the government.
Rob: His administration stands on everything we are against: they are misogynist, racists, extreme capitalist, homophobic, transphobic, climate change deniers. Since arrived in the oval office, he made everything in his power to phase off the environmental protection agency and slow down internationally the fight against climate change. He already started to work on laws that target trans, gays, to attack our friends. He already bombed Syria, threatened North Korea building the root of WWIII, and he is an horrible person. I still can’t believe he became president.
Andee: We are embarrassed about this fact. None of us believed he could have any chance, we were pretty comfortable: ” He will never win”. And then he won. We were devastated.
Rob: But anyway that is why we decided to write this statement in our Facebook page. Politics is kind of a grey area and we would like to be pretty clear about what we stand for.
It is strange to hear from you guys that you thought for sure he was about not to be elected. After some months, do you have an idea why he made it?
Andee: The popular argument is, there was this huge chunk of American people that felt removed from the entire political system. Obama, Clinton spoke with them in a language they did not understand. Trump was a popular figure so appealing to people of the lower class struggling with unemployment. But the more I think about it the more I don’t believe in this argument. A lot of these people quickly realized they made a mistake. A lot of Trump electors are suddenly felt the effect of this politics: they quickly lost the health insurance, they cannot afford renting housing anymore. It is hard not be cynic, I mean is difficult not to see since the beginning that this guy was a sexist, homophobic asshole that pursues its own interested and also, is a billionaire. Then I don’t get why these people did not see it before voting. American felt enough comfortable to trust him, even if his propaganda was not consistent. For example, he is so strange that is against immigration but all his stuffs are made in other countries, but he has country clubs and hotels in Mexico.
It is interesting to see your view about politics, but does it reflect also in your music? Is there a social and political message attached to it, or is just a tool that you use for a second purpose (like for example, donating the outcome of sales to indigenous community, as you did for one of your old release)?
Rob: We released three records in order to help Alaska rescue organizations to stop gold mines proliferation, since it will have a huge environmental impact. There is also the concern about a lot of outsiders that will come in this area to work and live, destroying local traditions with their western culture. This is an important topic for us, and that is why we released two records last year talking about extinction, not just “biological” but also cultural. We are active in multiple ways, we are energetic conscious human beings and artists, and we are politically oriented supporting community and traditions.
Andee: For us music is a sort of meditation but also it motivates people to do something. We like to inspire with our music but doesn’t mean we can do more with it.
How did you develop this awareness about how important is the natural life, not just considered as environment related but also as preservation of millennial cultures?
Rob: We are lucky to leave in a beautiful part of world and me myself I travel often to Alaska. Since 2000 I spent some time there, for considerable long periods. This for sure raised our awareness, but we also realized it in a more philosophic way.
If you think about one of the main religion in the world, maybe you can have a better idea about what we talk. In history, Christianity worked very hard to separate men from nature. People used to have a relationship with the landscape, but this religion broke this bond, and also demonized wild nature. Actually it demonized everything that could not be completely controlled, and that is why there is a parallel between wilderness in our body/sexuality and the nature. Even if we are not so in contact with religion in these days, we are under the influence of its believes: that is why always a deep dark forest is normally considered scary. For us nature, wild nature regains its original essence, the one we used to associate before human over structures modified it.
Andee: People are instinctual to nature, it doesn’t matter if they are looking at few trees or a deep ocean, and everyone has this kind of awareness. I believe you can always feels something when you are in contact with nature, but is true that in the current time we don’t value, and sometimes we forget, to raise this awareness in ourselves. There are people that have lost the connection with the reality around them.
How the people can find back this connection?
Rob: It is not difficult. For example, we were just coming here and we noticed a bunch of birds doing these amazing symphonies. Then you realize that nature is there, just hearing these songs you feel connected with it. But is also true that is not so simple for everyone. With our music we try to make this connection, but is the single person that has to make it deeply inside itself.
As far I can understand, the project is full of meanings and ideas. I believe this is also reflecting in its name. Which is the meaning of Common Eider King Eider and how was born?
Rob: I found the project in 2006, deciding it would have been the last music project in my life. I was tired to start bands. The normal loop was to start something with a bunch of people and see them leave after six months. They were always busy. I was tired to rely on other people and the idea to commit to just one idea. First I started solo but from the third release the band started to be an open collective, so everyone could put the efforts and time they wanted. For example for this tour, I arranged everything by myself and then I sent an email to the others asking who wanted to join.
Andee: Last time we had a six weeks tour, the first two weeks we were in three, the second one in five and then we came back to two. The music is different depending to who is involved of course, but is also fascinating how it can change and the whole structure is flexible and suitable for the needs of everyone.
Rob: The name is the opposition between the words common and king: something should be “less important” respect to the other according with these two meanings, but both of the animals, the eiders associates with them, are just beautiful creatures. It is strange that someone labeled them with these kind of values, but actually it happens also with people, so…
Let’s talk about your last release Shrines for the Unwanted, Respite for the Cast Aside“. What is behind?
Rob: Last summer we were in tour and we were thinking about extinction and we were concerned about politics and the consequences it would have in our society. We started to interrogate about our intentions to do music and how to inspire trough vocals and give energy during the performances. We started to use sticks and rocks on the mics, round them together to create certain sounds, and we really like it. During the performance these objects started to acquire significance, and after every show we decided to built a shrine with them.
Andee: We took pictures about the places in which we toured and we built these shrines, we created a book of images and we created a set together with some sticks to create its own shrine.